Community Involvement

I spend a lot of time thinking about writing, sometimes feeling really vulnerable and uncomfortable about my words being out there. Lately I’ve been ready to write, with a whole post in organized and laid out in my mind, and then had second thoughts because literally anyone can read it and I’ve often aired out the most intimate difficulties of my own life, online, since 2004. Often I’ll be talking with someone and think, “did they read what I wrote? Is that why we’re having this conversation now?’ It can be…unsettling and causes me discomfort. But ultimately I write because it helps me feel at home in my life, in my skin, it sorts out my thoughts and feelings, and because one day maybe I’ll be like my own mother, and I won’t remember. At that time I can look back at these years of writing, all the years of documentation on instagram and flickr and future platforms that don’t exist yet and say “that was my life. These are the things I did.”

It’s no secret that I’ve felt lost, adrift in the current state of political affairs. So for multiple reasons I started taking Community Emergency Response Team classes with the hope that maybe in some small way I can give back to my community. Maybe I don’t like the way the world is headed, but perhaps I can help my own world in what ever little way I can. Concurrently I’ve been going through the belongings of my sister and her husband. Relics of 20 plus years of marriage, the birth of their son, the meaningful memories of their own lives and childhoods. It has been. It has been painful. Emotional. Gut wrenching. I held my brother in law’s baby photos in my hands and it hurt. It hurt because I have limited space. It hurt because I can not carry their memories around in my heart and my home and continue to carry around my own memories and my own belongings in my home. It feels wretched to know that these photos, these memories, that the person who created them is gone now. That his parents are gone now. That my sister is gone now. A third party could come in and mercilessly toss it out, these memories of another. They hold no emotional attachment, no ties. For me it is harder. You start thinking about things like purpose, and value and what is the mark left on the world.

For so long I felt like a ship, with holes poked in on it from all sides. From all the times loved ones told me I didn’t feel what I felt. Sometimes all it takes is acknowledgement. There’s not much acknowledgement in dysfunction. Every time my sister or my father or my mother told me that what I thought wasn’t what I thought it created another hole. And now that two thirds of them are gone I am left to plug those holes, so I don’t sink.

There are a lot of hours of training when you begin taking entry Community Emergency Response Training classes. The first and foremost fact being, you regard the safety of yourself above all else. So you don’t become an additional victim needing rescuing, an additional burden. You are issued personal protection equipment and you are expected to use it. You train in light search and rescue, you practice fire suppression by fire department sanctioned small fires, you sit through disaster psychology. They tell you, if it’s bigger than this size that we want you to put out today, then it’s too big for you. You rescue mannequins from precarious situations. You learn that the sole purpose of CERT is to regard the greatest good for the greatest amount of people. And sometimes that means the individual is left behind. Triage in disaster training ended up being the most difficult subject for me. Because you organize and categorize people into three groups. Immediate, Delayed and Minor treatment. And a black tarp. Sometimes you might have to say “help is on the way” although you are aware that the individual has something that is going to land them on the black tarp. You absolve yourself of humanity to help the greatest amount of humanity.

There is a lot of stigma, being the child of a mentally ill parent. Or parents. Sometimes I wished I could say something more concrete like “I was the child of drug addled parents” because maybe people would be less likely to judge me for the predicaments of my parents. When I look back on my childhood, sometimes I’m angry that my parents poured their dysfunction right into me at the age when a parent is supposed to teach a child to mother itself. I look back at the trauma, and there was trauma and I wonder why no one ever addressed it with me. Why there was no Monday morning quarterbacking of the sometimes terrible things that happened.

While I was sitting through the disaster psychology segment of CERT training and the teacher was talking about triggering I realized some dark things in my own past that were triggered as a result of my own training. And a few things that were triggering me in my disposal of my sister’s life affects.

I think the stigma of mental illness is really terrifically unfair. If you’ve ever been around someone who is suffering deeply from it it is very unsettling, which is likely part of the stigma. I remember when my father would go off of his medication and that terrible flow of energy issuing from him, which felt like a cold breeze in the middle of a hot summer day, brushing past you and making every hair on my body stand up. Who was he talking to? What was he laughing about? Now that I’m older, although admittedly with no evidence to back it up, I have to think that cold energy was somehow him connecting to his subconscious. That same collective unconscious we all tap into at times. It creates art. Writing. Music. It is the source of many things. Kandinsky and many of the other artists of that period wrote thoughtful pieces on that connection. But that energy also has the power to destroy. Reputations. Dreams. Status Quo. Retirement.

At the very end of my CERT training we did a disaster drill. Throughout the training somehow, I found myself reassuring people who felt insecure about what we had to do. During fire suppression my partner looked at me dead in the eye and said “I’m scared. I can’t do this.” I looked at her, told her to put her hand on my shoulder while I held the fire extinguisher and prepared to walk toward the fire and said “I’m scared too.” We all feel that same fear. Somehow you learn to hold it. In class was this very intelligent young, precocious teenager. Maybe about 16. But damn if he didn’t know almost every fact during every question and answer period during our training. We ended up being partnered up during the disaster drill training exercise. The local high school drama club were our “victims.” They painted elaborate stage make up on their bodies. Taped up their arms as if they had been amputee victims. What I wasn’t prepared for was that they would cry out during our exercise. All the times they would yell “help me,” “I can’t find my brother” or just “Please help” as we had to walk by to complete whatever task we had set out to do. It was deeply unsettling and I was very affected by it, but I said nothing. I just continued with the drill. The young, precocious teenager looked at me, with pain in his eyes and said “I didn’t know the yelling and the sounds would upset me so much.” I told him, “tune it out.” “Tune it out.”

It is hard to describe what it felt like walking by people yelling out for help and not helping them in the moment. When the adrenaline rush wore off of me that evening, I ended up in the fetal position, sobbing. Even though it wasn’t real. Even though it was just a drill. The chaos of the situation deeply affected me.

There were times, obviously that I had to metaphorically walk beside my sister and my father and my mother when their subconscious was yelling “help me” so loudly that it made all the hair on my body stand at attention. But, the first rule of safety is save yourself. I couldn’t save my sister, or my father. Just like I can’t save my mother, or frankly, anyone else. I have to maintain my own self and sense of safety, and love my children. Anything else is voluntary.

Once, I found myself in need of assistance from the police, which they offered. I found myself glued in place, looking into the eyes of one of the officers and it touched me that his eyes had no life in them. I couldn’t understand it. He had compartmentalized so much that he couldn’t reach out to me for reassurance, although he definitely aided me in the way that I needed help. Life is like that. I thought about him and his dead eyes many times. I wondered what had happened to him. I still wonder.

I broke out in hives when I was triggered by sifting through my sister’s personal effects, and I was triggered by sitting through a disaster psychology class. I look down at the hives covering my body like a roadmap and I tell myself this is how I know my subconscious is connected to my nervous system. I tell myself, you don’t have to be hyperaware. There is no disaster right now. I can look back at these times when my sister poked holes in me. I can look back at the times when she poked holes in me and the other part of this triangle is my father. And there he was poking holes too. With my mother. I can look at the holes, which strangely resemble my hives and whisper “you don’t have to be a sinking ship.” Because the truth of my life is, I can rescue myself. Because the trauma I’ve been through has made me very strong, not very weak. And my writing will set me free.

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a few musings on art and a love letter for a friend

I remember standing in the Clyfford Still museum in Denver and feeling the electrified energy of his art wash over me.

Clyfford Still

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And I thought, he is long gone, but what he made still has the energy that he poured into it. It is his legacy, to bequest something that makes us feel, although he has gone away.

Art is seductive. Entrancing. It, like writing, or music, or dance has the power to make you feel. Art is cheeky, subversive, conveys meaning, it’s political, apolitical, respectful, irreverent, it is the collective subconscious. Art is philosophy, art is protest. According to Kandinsky there is an inner resonance, to quote from his wikipedia page:

Colours on the painter’s palette evoke a double effect: a purely physical effect on the eye which is charmed by the beauty of colours, similar to the joyful impression when we eat a delicacy. This effect can be much deeper, however, causing a vibration of the soul or an “inner resonance”—a spiritual effect in which the colour touches the soul itself.[23]

“Inner necessity” is, for Kandinsky, the principle of art and the foundation of forms and the harmony of colours. He defines it as the principle of efficient contact of the form with the human soul.[24] Every form is the delimitation of a surface by another one; it possesses an inner content, the effect it produces on one who looks at it attentively.[25] This inner necessity is the right of the artist to unlimited freedom, but this freedom becomes licence if it is not founded on such a necessity.[26] Art is born from the inner necessity of the artist in an enigmatic, mystical way through which it acquires an autonomous life; it becomes an independent subject, animated by a spiritual breath.[27]

23. Kandinsky, Du spirituel dans l’art, éd. Denoël, 1989, pp. 105-107
24. Kandinsky, Du spirituel dans l’art, éd. Denoël, 1989, p. 112 et 118
25. Kandinsky, Du spirituel dans l’art, éd. Denoël, 1989, p. 118
26. Kandinsky, Du spirituel dans l’art, éd. Denoël, 1989, p. 199
27. Kandinsky, Du spirituel dans l’art, éd. Denoël, 1989, p. 197

In fact I attended a talk at the LA Art Show where MOCA Director Phillipe Vergne discussed Jeff Koons’ famous balloon dogs. He said part of Koons’ intent in creating the balloon dogs is not to capture something so mundane as a relic of a child’s birthday party, but that the balloons themselves are made using air, which contains the magic, the very spark of life.

That time I saw one in the wild in San Francisco the day after Christmas

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That magic, that electricity is something we should embrace in each other. Locally. Spiritually. Ethereally.

It doesn’t meant the artist must belong to you. That you should micromanage things until you choke the very magic out of them.

More art in #2016 #matisse

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L’artiste doit apporter toute son énergie, sa sincérité et la modestie la plus grande pour écarter pendant son travail les vieux clichés qui viennent si facilement à sa main et peuvent étouffer la petite fleur qui ne vient elle, jamais telle qu’on l’attend.

The artist must bring all his energy, his sincerity and the greatest modesty to remove during his work the old clichés that come so easily to his hand and can stifle the little flower that never comes, waits.

Henri Matisse, Écrits et propos sur l’art

But, for a time, you can share that energy, feel that feeling that the artist intended. Much like we don’t truly own the earth, but we have that spark, and we belong to it. Be that person who makes people feel. Step into your darkness and your fear and learn how to sit with it. How do you paint the essence and capture the energy of your subjects? How do you express intent and being and the magic of life? That moment in time is just on loan, for us to borrow. But we should be happy when we borrow it, when it is our turn. Cherish it for the gift that it is.
_______________________

Si, sur une toile blanche, je disperse des sensations de bleu, de vert, de rouge, à mesure que j’ajoute des touches, chacune de celles que j’ai posées antérieurement perd de son importance. J’ai à peindre un intérieur : j’ai devant moi une armoire, elle me donne une sensation de rouge bien vivant, et je pose un rouge qui me satisfait. Un rapport s’établit de ce rouge au blanc de la toile. Que je pose à côté un vert, que je rende le parquet par un jaune, et il y aura encore, entre ce vert ou ce jaune et le blanc de la toile des rapports qui me satisferont. Mais ces différents tons se diminuent mutuellement Il faut que les signes divers que j’emploie soient équilibrés de telle sorte qu’ils ne se détruisent pas les uns les autres. Pour cela, je dois mettre de l’ordre dans mes idées, la relation entre les tons s’établira de telle sorte qu’elle les soutiendra au lieu de les abattre. Une nouvelle combinaison de couleurs succédera à la première et donnera la totalité de ma représentation. Je suis obligé de transposer, et c’est pour cela qu’on se figure que mon tableau a totalement changé lorsque, après des modifications successives, le rouge y a remplacé le vert comme dominante. Il ne m’est pas possible de copier servilement la nature, que je suis forcé d’interpréter et de soumettre à l’esprit du tableau. Tous mes rapports de tons trouvés, il doit en résulter un accord de couleurs vivant, une harmonie analogue à celle d’une composition musicale

If, on a white canvas, I disperse sensations of blue, green, red, as I add touches, each of those I have previously laid down loses its importance. I have to paint an interior: I have a cabinet in front of me, it gives me a feeling of living red, and I put a red that satisfies me. A relation is established from this red to the white of the canvas. That I put a green on the side, that I turn the parquet into a yellow, and there will still be between these green or yellow and the white of the canvas the reports that will satisfy me. But these different tones diminish each other. The various signs I use must be balanced in such a way that they do not destroy each other. To do this, I must put my ideas in order, the relationship between the tones will be established in such a way that it will support them instead of defeating them. A new combination of colors will succeed the first and give the whole of my representation. I am obliged to transpose, and that is why we imagine that my picture has completely changed when, after successive modifications, red has replaced green as dominant. It is impossible for me to slavishly copy nature, which I am forced to interpret and submit to the spirit of the picture. All my relations of tones found, it must result in a tuning of living colors, a harmony analogous to that of a musical composition.

–Matisse

Look at this almost married bitch @puffmunch

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To Andria, I’m so glad to count you among my dearest friends. May you and Todd have every happiness in your new life, together.

Buy art consume art commission art love art be art breathe art. Art.

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Art carries so much meaning for me. I hope that this painting captures one important moment for the two of you. We are all made up of strokes of the stories of our lives, it shapes us and shapes what we create today. Looking through the lens of life, I love you and Todd very much and I am so happy that you have joined your lives together. May you make much art together, friend.

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The past several months, in photos

Catching air

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Happy Valentine's Day ? #knittersofinstagram #knitting #yarn

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My baby boo boo kitty

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My oldest boo boo kitty

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Making plans

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How we roll #aikido

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Time to dust them off

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I like this doctor's office

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Good mail day

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Hanging with my lady

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Business meeting! @yarnovertruck @mdmpls @barbracabliss

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Taichi dinner with @lbufogirl!

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Car knitting

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Happy lunar new year #luckycat

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That’s it! Bye now!

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On the day of my sorrow

I think ahead to the time when I won’t have my mother and I won’t have my father and I feel a deep sorrow. I can try, with flowery language to express it, but I can not. Losing my father was a hard thing, but not unexpected. Losing my mother is expected, but also a hard thing.

I think of all the things over the years that I resented in my mother, and then, I look deeply at myself and see I am like her. I am her. But I am also not her.

The single minded focus. Determination. Stubbornness. Not giving a damn what anyone else thinks. But my choices of how to apply those qualities are different because I am different. And I have made different choices. Maybe not better. But different. My own.

Like my own children. Maybe one day my daughter will struggle when I am beholden and hidden in the inevitable arms of old age and wonder at our life together and resent the mistakes I have made. And my humanness. And to her I would say, I was alive, I was real. I made my mistakes. I made you. And I love you. Please forgive me for my humanness. I can not take it away. I won’t take it away. I want to feel. I want to touch. I want to sense and taste. Don’t lock yourself in a tower of what you think you are supposed to do and neglect to be alive. Resent me, resent my choices, but make your own. And own them. And grow. Grow into the life you’ve been given. That I’ve given you. I loved you into existence, from the deep beating in my heart.

And in the winter evening of my mother’s life I want to understand her, to forgive her. To help her although I feel unable to do so. She said recently sometimes she’s happier in her dreams. Then she followed up with, “but that’s not reality.” Then she said some people grow old and question why they had children at all.

She had different choices to make then, then now. She had different responsibilities then, then now. This time left between us, is like a pregnant pause. Filled with words left unsaid. But maybe she thinks, like I do, I hope my daughter will forgive me for being human. And sometimes inhabiting the space of being unloveable, because I gave her the gift of life, and all the magic it entails, from the deepness in my heart.

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Letting go

There comes a time when you come to the horrible, sinking realization that your parents are fallible. Even when you grow up as the kid of weird 1970s doomsday hippies, that the inevitable does eventually reach it’s logical conclusion. That all those times where your own parents said the end was coming and it never did, and you thought, we are just infallible and we will never die. That is a falsehood. And then you find yourself as a byproduct of a traumatic childhood, suddenly shouldered with the responsibility of caring for the person who told you all those times, the end was coming and it never did. That you have some choices.

In therapy I learned that the usual choice in my situation was to abandon the parent that caused so much suffering.

But I couldn’t do that.

So instead I’ve spent the past seven months on many many airplane rides and many car rentals and many many hours spent together, struggling with acceptance, that there is more math behind her than there is ahead of her. And I’m able to offer forgiveness and help her. But it’s cyclical. Sometimes I’m okay with it, the fact that death robs us all of our parents, no matter how perfect they were or weren’t and my forgiveness of my imperfect childhood. And sometimes I’m full of anger and hurt and betrayal that the one person on earth who was supposed to teach me mothering, didn’t. That the strong, invincible woman in my life that physically intimidated me and her other children, that that strength declines, erodes. And that despite all the times she wasn’t perfect, that she was breakable, human, flawed, and yet still my mother, I steadfastly don’t want her to go. I want to be locked eternally at odds with her, rebuked and sanctioned by her physical strength as the weaker one.

But no one can remain the ill-treated child forever. Even if that position feels warm and as comfortable and familiar as well worn leather.

In a way our roles have reversed and somehow I am the strong one now. And I look back at all the time over the past seven months, and all the varied things I did, searching for understanding. And acceptance. That’s a lot of history between now and then. Not as much history as between my mother and myself but a lot even so. Eventually, after many months I opted not to slide so easily back into our predefined roles. Trying to view my mother and myself with compassion. Instead of anxiety, worry and fear.

Sometimes I look at my empty hands. Sometimes I transform my empty hands with knitting. Or my phone, when I call her. When I write out her bills and go through her papers to help her maintain the lifestyle she wants. Or hold her arm as I take her to lunch and hug her. And sometimes I transform my empty hands and heart with wine. Or martial arts. Or the warm bodies of my children who I hold close, and look deeply into their eyes, searching for contentment and happiness, hoping to hold onto it for myself, greedy. In a way I want to hold onto all the good things in life that way. Clenching them with white knuckles. But that’s not the timing, pacing, and reality of the universe. So I take some deep breaths and tell myself it’s okay to let go. And sometimes, it is. Even with all that’s passed between us. I don’t have to control it or make it perfect in the eyes of others. Some days I can just accept it as it is and continue doing the best I can. Making my new mistakes and going my own way. Looking forward and looking back, and finally downward at my empty hands.

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multidimensional me

That thing where you read some Roxanne Gay and she talks about how we as a society don’t allow women to be unlikeable, multidimensional human beings. In films. In books. In porn. In art. But no one is just any one thing. We don’t fit into boxes. I’ve never fit into any box. My children will certainly never fit into any one box. My mother and father didn’t have any boxes.

Also, that thing where you realize your parent, your mother, knocked down from her pedestal, is human. After many years of anger and resentment. One day you simply realize. She is a person. She made her mistakes. And she’s entitled to do so. The world keeps turning. Think of all the artists and people who fucked up yet also did something really great that deeply touched us all. They had someone at home, and maybe they didn’t do it all right either.

My mom put herself around people and in situations where women weren’t equal. Yet she worked to take care of her family when her husband could not. The messages all around us were, cover yourself, don’t attract attention to yourself, follow the rules. And she was able to disregard it all. I’m very grateful for that. I’m grateful for the times we went outside for long walks and she knew all the names of the plants and how she was never afraid of snakes. The time she took me to see Halley’s comet. Her love for geology and astronomy, and birds. How we would watch star trek together. All of these things were subversive to her sex and her station. And yet she did it anyway. I’m grateful for how she said one thing but did something else, and how that something else shaped me into the person I became.

I think of how I struggled to break out of the box and the role of someone’s mother. And even more confining, the mother of someone with special needs. And most difficult of all, how I struggled to change my life, upending it, rending and cutting and setting fire to my sense of security and my perceived place in the world, to search for my own happiness. We still have human needs and desires and all of the other experiences and wants of a person.

I think of my mother and my father and their struggles and all the things they did and decisions they made that I didn’t agree with, and the things they did that caused me hurt. And finally after 40 years of wondering why, maybe I’m done with that. I can just say, they were human beings, making the decisions they needed to make at that time in their lives. They were multidimensional and fucked up and complex and undefined. And maybe, maybe that’s okay.

When I look in my heart and feel good about the lives of my children, or I do something for myself that feels good. Yes, I created my current life and my trajectory, but that wouldn’t have been possible without my parents. They breathed that magic of life into my body, and despite all else, I’m here and alive and happy because of that act.

Alan Watts says in one of his books that the purpose of life is simply for the universe to see itself. And the full realm of human behavior is life, death, good, bad, hurt, pleasure, all of that existence is legitimate because that’s what it means to be alive. So, perhaps even when it hurts others or is unlikeable or you can’t understand it, it’s okay to be multidimensional. Those dualities of good and bad in people that we can’t seem to understand, maybe you just have to suck it up and accept it because it’s part of being alive.

Acceptance feels like a fair trade off for being alive, if you ask me.

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Happy dreaming

I found myself with a seat at the hotel bar after the Women’s March on Washington, surrounded by three fellow WVU alumni. I wasn’t sure how it was going to go when I said where I had been the entire day. Much to my relief my answer, “I’ve been at the Women’s March on Washington” was met with warm smiles and questions about how it went. Kind of reminiscent of how attending WVU was my personal salvation. On my roughest, toughest, hardest days in California I would go to sleep at night covered in hives from stress and dream of being in my small apartment in Morgantown, working hard and feeling happy. I would wake up calmer. Living in West Virginia changed everything for me.

Jessica Diamond Film Show, reminding myself of my roots #mastersinphysics

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My decision to study physics was the ultimate rebellion from an upbringing based on feelings, not facts. I was constantly exposed to the idea that the end of the world was imminent but somehow that date was always changing, that the ground beneath our feet was solid as so many bits of sand. My mother was always preparing for the end of the world. I remember the first incident, when I was four, which coincided with my father’s first nervous breakdown. There was never any reason or logic to it, she simply couldn’t be dissuaded from her harmful idea. Again and again we would find ourselves around people who deepened her resolve that the demise of earth was coming and she had better be prepared with 50 pound sacks of rice, expensive products only available to the select rapture-worthy, and a 22 that would maybe maim a squirrel and even then only if you shot it in the eye.

Science and fact was a slap in the face for her, I presume. She was not impressed or assuaged with my choice of profession. I fled from places and spaces where I was forced to pretend to speak in tongues, I fled from that time my mom sold the family home to buy up sacks of flour and rice and moved into a sketchy ramshackle home, owned by even sketchier people who knew Pat Buchannon. I remember standing in the garage there, at the dilapidated home, finding a photo of the home owners with Pat thinking, these people are really weird. This is so weird. I fled from my sister, angrily coming in to my work in Virginia, spouting off to my coworkers that West Virginia was a terrible mistake. For some reason she felt I would be better off at MIT. Which is a lovely, kind thing for her to have thought, that I was smart enough and mentally tough enough to be at such an institution. West Virginia University is THE state school. I was surrounded by great minds, taught by professors from every ivy league school. One of my classmates won the physics prize for the ENTIRE COUNTRY of Serbia when he was in the sixth grade. I was dwarfed by greatness there. I worked three jobs to pay rent and eat and learn there. Taking a job at McDonalds one semester, working there 40 hours a week so I would have one guaranteed meal each day. Working so hard and so long and getting the same grades in physics as everyone else. I’m proud of that.

The professors would say things like, “I can’t write you a letter of recommendation because you’re only in the top third of the class” in a field of 200 students. They would say “Stop working, you’re only going to hurt yourself.” But if I didn’t work, I didn’t eat, nor have a place to live. The students would say, “why don’t you just quit working so you can only go to school” or “how come your parents don’t just pay for your college” or “why can’t you give $20 for a going away gift for this professor.” Money was so tight that an extra $8 expense could throw me into ruin. I parked my car and canceled my insurance and walked everywhere for a full year. Including a many-stories-tall staircase cut into the mountainside with temps outside at negative five degrees. I had roommate after roommate, and a couple precious semesters where I had my apartment to myself. Sometimes I would have to pay my rent late, and I would tell my landlord with my deepest apologies. He was understanding of my situation, for which I’m very thankful. He knew I was working hard. That was a kindness I’ll never forget.

What possessed me to work so hard? A life of being in spaces where the world was going to end. A life of being in places where I feared my mother would try and marry me off to one terrible, ill-suited angry and controlling man after another. Where I was forced to wear a skirt down to my ankles and was rebuked for wearing makeup and earrings. Where the only opinion that mattered was hers, or the people she had thrown herself in with, this time.

She and Dad would visit my precious apartment and passive aggressively leave books about the debate between creationism and science. I would beg her “please do not spend your money on these books” but those pleas fell on deaf ears. Most of the professors were avowed christians rendering her argument invalid. Not that it mattered anyway to this atheist. How many times can you hear ‘the world is ending in 6 weeks’ before you don’t believe in empty words anymore, or faith, or god. How do you trust a parent, who tells you they hold the keys to your life or death, over and over until you flee at 17. How do you accept that helplessness to cruelty, that inability to steer your life in whatever direction you please, to do what you wish?

For me, the seeds of my rebellion started in the second grade. I was placed in a summer program taught by a wonderful woman who changed my life by teaching me computer programming on a TRS 80, put a camera into my hands, and had a beautiful, polished loom with as many pedals as a church pipe organ that she let us children work. Soon after that summer I began reading every book I could get my hands on, and my reading choices went uncensored, thanks to my father. These experiences gave me resilience, they laid the foundation to what I love to do most in life. Creation, and the search for truth and beauty. That next summer a close relative put a camera in my hands and my brother came to visit, exposing me to art on a level few get to experience.

Those experiences, those adults who cared enough to show me my escape route from religion and dysfunctional upbringing, they changed me, they shaped me. They gave me my own voice. So when the time came, I left my family behind, my upbringing behind, and I moved to Morgantown to attend WVU and study numbers, and figures, and facts in my search for a higher power. Physics was my personal endeavor to find god. I was not successful. My search included high pressure criticism, the expectation to perform, the need to work to provide for myself, meaning less time to study. It built my character, it built my strength, it shaped my anxiety. And, to be frank and honest, when I got my first B in a course, I gave up the need to be perfect. I probably worked less hard than I needed to, because the shining ideal of my perfection developed a patina and had a bad attitude. When I learned that all of Quantum Mechanics was based on an approximation of the hydrogen atom, I wanted to take to my bed for a week. That answers are something you approached with sequences and series of data and calculations to get closer and closer to an answer, and that sometimes there was more than one answer, that did not appeal to my idealistic view of “how everything should be.” That people could use computers to work calculus problems that are so tough I wanted to cry, that those problems could be solved literally in one instant. That people cheated and looked up answers on the internet, just like in real life. That groups of foreign nationals worked together to do homework so everyone got their answers perfect, except for you, who did your homework by yourself, as specified and you got a bad grade. Then the lens of disillusionment became scratched and worn, it was almost like being in physics was like you were living your life, day by day, just like everyone else. With the same damn problems as everyone else. Like there was no escaping the realities of life. When I heard men say things like “women just aren’t genetically meant to do physics.” It felt a lot like “women should wear skirts that cover their ankles and shouldn’t wear makeup or earrings.” Funny how real life finds a way to creep in, even when you’re fooling yourself with the idea of what is the pursuit of perfection. How there isn’t one real path to solving every problem. Personal, interpersonal, and mathematical. I began to sense that there just isn’t a perfect anything to solve anything.

So I specialized in sensing equipment to see if I couldn’t get close to some answers. For my undergraduate senior project I used a 14″ Celestron scope with a ccd camera slapped on the end which I manually adjusted to half second of arc to study the spectra of 7 different stars. For graduate school I used an atomic force microscope to study proteins in a fluid environment. Both pieces of equipment divvied up data in to buckets, kind of like how a camera has millions of tiny buckets of light. It’s no coincidence that I used types of cameras for my undergraduate and graduate work because I had been accustomed to them since the age of 7. I used a camera to see the world at that instant in time, like I almost always have, kind of like how I’ve always used writing to see inside myself. Sometimes I look at old photos of myself and I can see what I couldn’t see then, and that’s how I was feeling at the time. The chaos of my spiritual upbringing had me caring for everyone else’s needs and neglecting my own. Even in my time in physics, the woman becomes the group mom. But fiber saved me. Photography saved me. Programming saved me. These seeds planted when I was only 7, they saved me from a life of dysfunction, unhappiness, and fear and shame passed down in my family. Somehow, through all of it, I saved myself.

Finally I can look in the mirror and in a photograph and see how I’m feeling right now. Or I can ask myself how I’m feeling and get a precise answer. Not something approaching an answer or an approximation of an answer. A discrete, actual answer. These dreams I have, where I’m in Morgantown, unpacking the hurts of the past, working my ass off, leaving perfection behind, accepting my realities, these are my dreams of happiness. I haltingly play the piano in these dreams. I stretch out the quilt that is my life and look at the pieces. I look out the window and assess the mountains. I look at the small place that is my very own and I feel content, relaxed, at ease, even though it was a time where I worked harder than I ever had to before. Those difficult and uncertain times, upon reflection, were challenging and beautiful and happy, and that’s why I go there in my dreams.

Got my hat on, I'm marching ??????

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But today, finally, after working so hard on myself, learning to take care of my own needs before I take care of everyone else, and even with all of the huge, troubling things we have to unpack to deal with in our current reality, I can look at myself, awake, and sense that I’m happy NOW even though I must work really hard and have a lot on my plate and go through the same shit everyone else is going through. And I don’t have to wait for the refuge of sleep to sense and feel it. And I am thankful. For all of it.

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The 9:30

We called it the 9:30, like we say the 405 out here in California. It was a club in DC, and there was both the old 9:30 and the new 9:30 and I was lucky enough to have visited both. I saw GWAR at the original 9:30 club. I don’t know why we ended up in DC so early that day, but I remember walking across the Key Bridge, irritated, cold, hungry, and angry with my three companions. It was a good show. Tristan, my boyfriend, pinned me with my back against the mosh crowd unable to move out of their path, and I got pummeled by the not-so-good-natured moshing, and sprayed like water torture, with kool aid colored water for the duration of the show. I remember having blue, pink, and purple skin for days. Eventually I wandered off from the crowd, down to the basement, which was covered in patina: writing, paint, old band flyers, and sharpie. My memory isn’t as reliable but I swear even the industrial garbage can and the floor had something scrawled on it. History. That room felt great. I sat down there, for god knows how long until someone I was with came down to check on me. He used to hang out with GWAR in Richmond before they were banned from being seen in public in their costumes. While we were downstairs he pointed out one of the band members. I was disappointed because the band member was in regular street clothes and did not at all look spectacular. “He just looks like a regular guy,” I complained. We left the club, with the metro shut down for the night, and accepted a ride with sketchy strangers, 6 of us crammed into the backseat of a small gas efficient piece of shit on our way back to our car.

Eventually, the 9:30 club outgrew it’s space and bought a bigger, shinier building, but without the charm/horror of the downstairs room with years of ephemera of rough showgoers. The second time I saw GWAR it was at the new 9:30. I remember sitting in an ante room watching this strange film from the 1940s or 1950s with a beautiful blonde and an unending stage coach scene. I watched transfixed while everyone else was off doing something else. Eventually I made my way out to the show floor to watch the first band end their set in a fist fight. I remember my second Gwar show being more of a spectacle. There was a huge boxing ring. I remember that they “beheaded” OJ and colored water shot 10 feet up into the air out of the beheaded OJ costume. And some other people. Maybe Monica Lewinsky was there in character, and I’m sure B Clinton. It was chaos. There was more and more and more colored water sprayed into the crowd. Social commentary. But less history since it was a new location and a new building.

I’ve been involved in music in some way since childhood. I played my instrument at church, I learned the piano from a very talented musician who taught four presidents how to play. He quickly realized I could memorize music and had me play at one recital blindfolded. For fun. I played for weddings. I played in school. I played in one forced church setting, which in retrospect was likely a cult. I fought with my mom over it, she pushed me into the car and threw my flute in behind me before slamming the door. She would tell people I would play for them without asking me, then take the money. She’d stand over me at the piano, forcing me to practice although I had memorized the piece already, with a belt, hitting me, until she was satisfied. So in my middle to late teen years when I found out how upsetting it was for her when I visited a local, shitty dive apartment called the band room, where they played something like heavy metal and something like noise, and I was hooked, both to horrify her and myself. Soon after I left home for good, moving in with an artist, and we would go to shows together. Having grown up in a sanitized, church environment I spent more time watching than listening. “This is how regular people are,” I told myself. “This is how I will be too.” I saw Gwar, Danzig, the Ramones, White Zombie, Pantera, Type O Negative, Primus, L7, the Melvins. I crowd surfed and smoked pot. I got tattoos. Trying to cover up my history, give myself a patina of something I liked better, something that hurt me less than loving the lord. I never understood how there could be so much pain in loving God. But the music didn’t hurt. Music didn’t hurt like love did.

This weekend I’m returning to DC for the Women’s March on Washington. I don’t know if I’ll have time to walk the Key Bridge. If I can sneak off to the 9:30 for a retrospective tour. I’ve knit 6 hats. I’ve taught and coached my 10 year old little girl about women’s rights. I want her to see me do this thing, this thing I’m scared to do. “This is who I am,” “this is what activists do,” even when they’re scared. Scared of crowds, scared of law enforcement over reaction. I read somewhere this week to take a sharpie and write your name and number on your body for the march. To stay toward the edges of the crowd. I’ve been at the edge before, and that’s where I got pummeled. I don’t have the answers. I don’t have any answers. But I will go. For my little girl. For myself. For her children. This is who I am.

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Vulnerability is

Vulnerability is that moment directly after you hit “send.”

Vulnerability is that moment when you’re in the air after nage throws you, but before the moment when you hit the ground.

Vulnerability is that moment after you hit the ground, hard, while you wait to take the first breath after all the air has been knocked out.

Vulnerability is letting someone see you cry.

Vulnerability is letting someone see that you don’t have your shit together.

Vulnerability is falling apart.

Vulnerability is not knowing how to do something.

Vulnerability is showing someone you admire your first book, having them take it, knowing they’ll read it.

Vulnerability is writing.

Vulnerability is opening up an artery and pouring it on the page.

Vulnerability is creating.

Vulnerability is asking even when you know the answer is no.

Vulnerability is asking even when you know the answer is yes.

Vulnerability is not people pleasing.

Vulnerability is not control.

Vulnerability is inhabiting a body that someone else does not like.

Vulnerability is being yourself.

Vulnerability is saying no.

Vulnerability is saying yes.

Vulnerability is taking that first step.

Vulnerability is taking that last step.

Vulnerability is being real.

Vulnerability is accepting that sometimes the answer is no.

Vulnerability is giving people room to make their own mistakes.

Vulnerability is giving myself room to make my own mistakes.

Vulnerability is stepping over the side of the bridge, waiting on my turn to jump.

In these moments, this is who I truly am. If I want to truly know my character and tell my ego to go for a fucking hike, I choose vulnerability.

Vulnerability is time.

Vulnerability is patience.

Vulnerability is space.

Vulnerability is waiting for the right moment.

Vulnerability is waiting for the wrong moment.

Patience is highly overrated.

Comfort is highly overrated.

Achievement is highly overrated.

Reputation is highly overrated.

Vulnerability is the space between.

Vulnerability is deciding to take a risk.

I didn’t choose vulnerability, it chose me. Again and again and again and again. Vulnerability can go suck a rock. Vulnerability can go jump off of a cliff, vulnerability can go jump out of an airplane.  Vulnerability can go jump in the ocean. Vulnerability can go, but wherever it goes, I will follow. This is the space, my space, between.

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Scared of Thunder and Lightening

This was my other favorite

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I discovered this painting in the Molaa in a special dia de los muertos exhibit a couple days after I turned forty and absolutely fell in love with it.

It says
She wasn’t sure what would happen next, she hadn’t shown up to be seen before
all the portals of opportunity appeared
there was a shift, she was out there

And with that, I decided to be seen.

_____

I was awake last night between 2 and 4am. The flash of lightening woke me up, followed by the thunder. The storm helped me remember. When I was young and we were living on the farm and my dad was sick in the hospital we had a very powerful thunder storm, the whole valley was alight with lightening and the sky was the strangest color. Previously I had been terrified of the thunder and lightening storms. But during that three hour storm my mom sat with me and talked to me until I was no longer afraid.

A happy memory.

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